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A Slide examines the codification of objects and the semiotic potential of form within contemporary ceramic sculptural installation. It focuses on how material languages, particularly the interaction between ceramic tiles produced using a traditional tile-drawing technique and polished steel, shape the spatial and perceptual presence of the object. Through deliberate morphological shifts, the work investigates how form generates meaning and how surface and structure carry connotative references. A Slide functions as a ceramic sculpture that, through its scale and spatial behaviour, approaches the field of installation. The work is also part of a broader research process titled Likovne spremenljivke.